L e f t   O u t 

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2015 – 2016

Dimensions: 60cm (W) x 60cm (H) x 60cm (L)

Materials: Jesmonite cast incased in a bin liner

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Left Out appears as a person sitting down, cross-legged, in a large, black trash bag. As a social experiment of bystander intervention, Maxwell placed the sculpture on various streets in London and started filming the public’s reactions of non-reactions as they walked pass the work. Five separate edits of the original footage have gone viral, altogether the footage has been viewed over 40 million times and counting.

The sculpture questions the individual’s perception of those that have been made homeless. Maxwell attempts to evoke empathy and to invigorate society’s determination to intervene with this injustice.

“It’s not an individual, it doesn’t have a face, it’s not male or female, you can think of it as anyone displaced, needing help,” Maxwell explains. “It doesn’t illustrate culture or creed. It’s about humanity.”

Maxwell placed his sculpture across London (Westminster Bridge, Piccadilly Circus, Bank and Waterloo). On each occasion he observed the public’s reactions as they past, some stopping to investigate what they thought was a person in a bin-bag, whilst others would simply walk on. The art of Maxwell’s sculpture is not in the sculpture itself, but in the reactions from passers-by.

“It is not the responsibility of a specific person or group to help end homelessness, but every individual.”

 

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“There’s a message about people being disposable. It’s quite a shocking a image. It’s the idea we see homeless people as garbage, not that we necessarily do but it’s challenging, more so than actually seeing a person.”

 – A member of the public, Westminster Bridge.

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Original 6 minute cut

Filmed and edited by Liam Thomson

 

Selected Syndication Highlights

Translated  into Spanish, Brazilian, Chinese & German

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Screen Shot 2016-05-30 at 12.21.40  Left Out (7)

Left Out (2)  Left Out (6)

Maxwell standing next to his sclupture  Left Out (9)

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2017 – B R O N Z E

Recently Maxwell has been working closely with a foundry based in Greece (V&P.Tassis) to transform bin-bag to bronze. Hyper-realistic detail and a specific patina maintain the surreal nature of the work to the highest degree.

After touring *Greece the sculpture arrived in London on the 15/06/2017.

*Chili Gallery, Thessaloniki Art Fair and urban instillations within Syntagma Square and Kolonaki Square (Athens).

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Screen Shot 2017-06-16 at 10.35.43

no boarder

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P R E S S  F O R  L E F T  O U T  I N C L U D E S:

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The Evening Standard

Business Insider

Huffington Post

NowThis Media

The Big Issue

Playground

Upworthy

UniLad

Screen Shot 2017-03-18 at 22.11.29

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Interview by

TBI_logo 485PMS

Artist Maxwell Rushton has created a sculpture called Left Out

that challenges our attitudes towards the homeless and the less fortunate

A bag of rubbish sits on the street. You do a double take as you realise that it actually does look like it is sitting. The shape of a person can be seen under the polythene. What do you do?

Maxwell Rushton has created a sculpture called Left Out, a cast of a human figure covered in a bin bag, but the artwork is not so much the object but rather the reactions it evokes in passers-by.

“The art does lie in the viewer and their reactions – or non-reactions,” Rushton says. “Roughly 70 per cent of people would notice it and then out of those, half reacted. That could be from looking over their shoulder to running over and trying to ‘save’ it, ripping the bin bag off. The other half would look at it and walk on.”

His sister Frankie worked for a time with Big Issue vendors in Leeds so the issue of homelessness has always been in his mind. He got the idea for Left Out last year after he walked out of a shop, tripped over a bin bag and spun around to apologise it, thinking it was a homeless person on the streets.

“A weird feeling of dread stayed with me for a few weeks,” Rushton recalls. “How I saw the homeless after that was significantly different afterwards and I wanted to create a visual cue that would offer that same impact of that experience.”

So far Rushton has taken Left Out onto the streets of London twice and recorded the reactions of the public.

“It’s not an individual, it doesn’t have a face, it’s not male or female, you can think of it as anyone displaced, needing help,” Rushton explains. “It doesn’t illustrate culture or creed. It’s about humanity.”

At a time that divisions are being drawn between people and nations, Left Out makes us all consider how we treat those less fortunate than ourselves while exposing the indifference of others.

“Seeing others walk past – I hope that frightens people,” Rushton says. “Then they can ask, ‘Who would I be?’ and go and prove to themselves that they would be the person who cares.”

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